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L'auteur explore la diversité des capacités mentales mobilisées lorsque l'individu appréhende la notion d'espace, et la nature des fonctions cérébrales qui lui permettent de s'adapter à un environnement spatial. Une étude au carrefour des sciences de l'information et de la communication, de la géographie, de la neurologie, des mathématiques, de la biologie, de la psychologie et de la linguistique.

Cognitive psychology --- Space --- Spatial behavior --- Space perception --- Psychologie cognitive --- Espace --- Comportement spatial --- Perception spatiale --- Environmental planning --- Philosophy and psychology of culture --- Psychologie --- Environnement --- Appropriation de l'espace --- Perception de l'espace --- Représentation de l'espace

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Never before has time obsessed humanity as much as now. The more accurately we measure it, the more it worries us. Although we complain that it passes too quickly, we seldom question its fundamental characteristics or the methods we use to measure it. Having grown so accustomed to the ideas of time, history, and evolution, we find it hard to imagine that these concepts were not always considered important. If, however, we wish to understand why time dominates our way of life and thought, we must examine the role it has played throughout history. G.J. Whitrow provides just the study we need. His compelling, groundbreaking volume traces the evolution of our general awareness of time and its significance from the dawn of history to the present day. He examines not only the development of our methods of measuring time, but also discusses how changing concepts of time have influenced history itself. From prehistoric times to the twentieth century, and ranging from Ancient Egypt, Greece, Israel, the Islamic World, India, and China, to Europe and America, Whitrow presents an absorbing account of the different ways that various civilizations throughout history have perceived time.

World history --- Chronology --- Time --- Time perception --- Social aspects --- 115 --- 930.24 --- -Time perception --- Universal history --- History --- Chronometry, Mental --- Duration, Intuition of --- Intuition of duration --- Mental chronometry --- Time, Cognition of --- Time estimation --- Orientation (Psychology) --- Perception --- Hours (Time) --- Geodetic astronomy --- Nautical astronomy --- Horology --- Eras --- Auxiliary sciences of history --- Calendar --- Tijd. Duur. Eeuwigheid --- Historische chronologie --- Chronology. --- Time perception. --- World history. --- Social aspects. --- 930.24 Historische chronologie --- 115 Tijd. Duur. Eeuwigheid --- History of civilization --- History as a science --- Time - Social aspects

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Theory of knowledge --- Affective and dynamic functions --- 159.95*1 --- Cognition --- -Imagery (Psychology) --- -Psychology --- -Visual perception --- -Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Behavioral sciences --- Mental philosophy --- Mind --- Science, Mental --- Human biology --- Philosophy --- Soul --- Mental health --- Psychology --- Cognitieve psychologie --- Congresses --- Methodology --- Psychological aspects --- Visual perception --- Imagery (Psychology) --- Congresses. --- Methodology. --- -Cognitieve psychologie --- 159.95*1 Cognitieve psychologie --- -159.95*1 Cognitieve psychologie --- Optics, Psychological --- -Congresses

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Art --- Color Perception. --- Color. --- Color Perceptions --- Perception, Color --- Perceptions, Color --- Color Vision --- Natuurkunde kleurenleer --- Kleurenleer J. Albers --- Waarneming van kleuren --- Albers, Josef 1888-1976 (°Bottrop, Ruhr, Duitsland) --- Monochromie --- kleur --- waarneming --- kleurenleer --- 7.017 --- 535.6 --- Kleurenleer ; J. Albers --- Colors --- Natuurkunde ; kleurenleer --- Color --- Color Perception --- Study and teaching --- Aesthetics --- Couleur --- Ecrit d'artiste --- Albers, Josef

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Ce livre évoque et retrace subjectivement et poétiquement l'expérience de la deuxième année de vie d'une oeuvre in situ de Lise Duclaux à l'occasion de Mons 2015 capitale culturelle. En avril 2014 un champ, situé à proximité d'un foyer de vie pour adultes présentant une déficience mentale, a été ensemencé de plantes médicinales (les simples) et sauvages (les herbes folles). Au sein d'un même projet - le dessin, l'écriture, la typographie, l'intervention végétale, les moments mis en place, le sens de la rencontre viennent mutuellement s'imbriquer pour soutenir une construction poétique à la fois simple et belle, délicate et volontaire.

kunst --- tekenkunst --- eenentwintigste eeuw --- België --- Duclaux Lise --- 7.071 DUCLAUX --- Straetling Chris --- kunst en waanzin --- kunst en psychiatrie --- psychopathologische kunst --- Livre d'artiste --- Handicapé --- Perception --- Perception de l'art --- Espace vécu --- Espace vert --- Nature, thème --- Environnement naturel --- Duclaux, Lise --- Art --- ecology